On the third day out from having been immersed in the music of GALA Choruses Festival X for six days and nights, with songs and melodies and harmonies and words swirling around in my brain and my heart, I feel compelled to write down just a few stories from my own personal experiences at the Festival to illustrate the Power of Music to heal our souls and perhaps even to transform the world.

On Saturday, July 2, 2016, 6,600 gay and lesbian people from around the world showed up in Denver, Colorado at our esteemed Performing Arts Complex with one goal in mind: To Sing. There were over 200 choruses and ensembles who had been scheduled to perform for each other at Boettcher Concert Hall, Temple Buell Theater, Ellie Caulkins Opera House, the smaller Stage Theater, and the gigantic 5,000-seat Bellco Theater.

The buzz in the air was palpable at registration, lifting us to another plane before the music even began. And then it started — with over 400 voices from all of the Colorado GLBT choruses lined up on four levels of the parking garage, overlooking the Galleria outside the theaters.

The trumpets began and the voices rang out with a special power as they proclaimed “In praise of song” that echoed throughout the space in the garage and the covered Galleria, so that the sound appeared to emanate straight from heaven itself.

This was followed by a big and stirring arrangement of “America the Beautiful,” during which song several large banners on the different levels were unfurled that said, “We Stand With Orlando.” Coming so soon after the worst mass shooting in American history at a gay nightclub in Orlando, Florida, the mass chorus added a verse for those we had lost, and ended the song after the last verse with a rousing “America, America, America,” each higher and louder and with more harmony than the one before. Chill bumps and tears came easily and naturally. And a measure of pride that said, “Those are MY PEOPLE singing that!”

Then came the third piece commissioned for the occasion and conducted by the composer, “Mountains and Rivers,” a song about Colorado to give a rousing welcome to everyone at the Festival.

All this and we had not even started yet. On to Boettcher for the Opening Ceremony, so to speak, featuring several choruses, including the New York City Gay Men’s Chorus, One Voice mixed chorus from Minneapolis, the Atlanta mixed chorus, the San Diego Women’s Chorus, and Take Note from Denver, all singing in the round throughout the hall. And this concert had to be repeated to accommodate all of the attendees.

Keep in mind that, in order to give everyone a chance to perform for at least a half-hour set, concerts were happening in these three halls simultaneously mornings and afternoons every day of the week, making it impossible to hear everyone and forcing us to choose what to attend, and where and when. So I can only comment on a few that Judith and I attended, with no intention to leave anyone out. We heard about 50 choruses out of 200, so there were many that we unfortunately missed.

Probably the most moving and memorable moment of the Festival came on the second day in Ellie Calkins Opera House. It was during the 3 to 5 p.m. “block concert,” each of which featured four different choruses. The last choir to perform in this block was the Orlando Gay Chorus. Every seat in Ellie was taken and people were standing behind every section in the audience. As approximately 65 men and women took the stage and got onto the risers, there was a several-minutes-long standing ovation before they sounded a note.

The conductor took the podium and they sang three or four songs. Then he grabbed the microphone and began talking about the Pulse Nightclub shooting and how it had shocked their whole community, and that their chorus had come together and answered the call to help to heal the LGBTs and everyone else in their city by singing at over 20 different events, vigils, and memorial services within the last two weeks. Then he said, “If you know this next song, sing along with us.” The song was “You’ll Never Walk Alone.”

Well, 2,000 singers in the audience joined with the Orlando chorus and we all raised our voices in a gorgeous mutual message of assurance that gave that song more meaning than it had ever had before. The second time through everyone was standing and holding hands as tears flowed freely down our collective cheeks. No one who was there will ever forget it.

On the way out of the theater, as the Orlando Chorus filed through the lobby and into the Galleria outside, they were surrounded by 2,000 cheering and clapping and hugging fans. They said they had never experienced such love.

Just to mention a few other highlights:

1. A chorus of 1,000 gay men with orchestra in the Bellco Theater singing “I Am Harvey Milk” cantata with the composer from Broadway singing the part of Harvey Milk.
2. The Seattle Men’s Chorus performing with the Seattle Women’s Chorus on stage at the Buell Theater for a mixed chorus of approximately 300 people singing a stunning arrangement of “I Love You” and “What A Wonderful World.”
3. The Las Vegas Men’s Chorus singing a deeply moving song called “Tell My Father” from the Civil War musical.
4. One Voice mixed chorus from Charlotte singing about “Glenda and Lauree: Certain Kinds of Love Never Die.”
5. Our Song: The Atlanta Gay and Lesbian Chorus singing and staging Eric Whitacre’s “Fly To Paradise.”
6. The 200-voice Turtle Creek Chorale from Dallas singing “Angels Calling.”
7. Combined choirs at the Opening Concert singing “Glory” from the movie Selma.
8. The Classical Masterworks Singalong in Boettcher where hundreds of us got to sing with the Colorado Symphony Orchestra on some famous choruses by Bach, Handel, Mozart, Brahms, Verdi, etc.
9. International groups such as Mano a Mano, five fabulous flamboyant men from Cuba; Homonics, three men in suits from Dublin, Ireland; the European Queer Choir; Schola Cantorosa, 25 excellent singers from Hamburg, Germany; the Beijing Queer Choir, 12 darling women and men from China who were able to remove their masks for the first time; and a combined International Chorus at the Closing Concert singing “Imagine.”
10. The Boston Gay Men’s Chorus recounting their tour to the Middle East.
11. Charis – St. Louis Women’s Chorus doing “Sometimes we have to sing in unison, Sometimes we have to sing in harmony.”
12. Denver Women’s Chorus singing “An Exhortation,” words by Barack Obama, and “You Are My Music.”
13. Des Moines Gay Men’s Chorus, when the woman conductor walked out onto the stage, had everyone in Boettcher stand, and on July 4 conducted all of us in the best “Star Spangled Banner” I have ever heard.
14. Jubilate! The Women’s Chorus of Corvallis, Oregon, singing “Endangered Species” by Denver’s own Diane Reeves.
15. The largest and arguably the best – San Francisco Gay Men’s Chorus – at least 300 men in tuxes and top hats overflowing the risers at Boettcher and singing Broadway and more.
16. The Turtle Creek Chorale Chamber Chorus doing “Come Ye Disconsolate,” including the text, “Earth has no sorrow that heaven cannot heal.”

As you can tell, I could go on and on. Maybe from this small sampling you get the idea. The GALA Festival that happens every four years is a coming together of GLBT voices that is at the same time joyful and healing and powerful and unifying. It is life-affirming and life-changing.

When I was conducting GALA choruses years ago, I had a motto: “Make ‘em laugh, make ‘em cry, and inspire ‘em.” This Festival did all of that and more. As they said at the end of the week, “We have started a song and it cannot stop.”

GALA Festival X has 6,600 stories. This has been one of them.