Fund Development
…number to call. Use an online e-commerce system to manage online donations on your Chorus website. Services like Mal’s E-Commerce can provide you with ways to sell merchandise and take donations…
…number to call. Use an online e-commerce system to manage online donations on your Chorus website. Services like Mal’s E-Commerce can provide you with ways to sell merchandise and take donations…
…be extremely powerful in education and activism, including: Encouraging choirs to partner with local organizations, schools, communities of faith, etc. to rehearse, educate, dialogue and perform this commission together. GALA…
…life of the tri-state area. We seek to build bridges both within the LGBTQIA+ community, the music community, and with the community at large. Our programming blends challenging contemporary music,…
…greet) – TransFusion Cabaret – Composer Fair with the America Composer’s Forum (your chance to mingle with composers, check out scores, and chat about commissions) – Key of T –…
Now celebrating its 42nd year, Twin Cities Gay Men’s Chorus (TCGMC) is a non-profit 501(c)(3) volunteer community chorus whose mission is Gay Men Building Community Through Music. Twin Cities Gay Men’s Chorus…
…life-changing process. So is coming out gay/lesbian/bisexual. There is some overlap of experience, early in the process – coming out to family, to friends, striving for self-acceptance, figuring out how…
…commission honors the life and work of openly gay Quaker, African American civil rights activist Bayard Rustin, who mentored Dr. Martin Luther King Jr. The 55-minute work is composed for…
Commmunity Engagement Discussion Handout Instructions For each of the scenarios below: Identify the issue/s surrounding equity, access and belonging present in this scenario. Reflect on how this situation may, or…
…can only be brought forth by intense cooperation. GALA: Many members of the LGBTQ choral movement find, and have found, community and comfort in their chorus when it was hard…
…This works. Individuals are not being asked to represent the entirety of marginalized experiences. This is key to developing culturally equitable communities and authentic arts programming. The communities at large…