Setting the Stage
…individuals from diverse communities to engage as full, centered members. Addressing equity, access and belonging takes significant time and commitment. If your chorus does not have the resources for, or…
…individuals from diverse communities to engage as full, centered members. Addressing equity, access and belonging takes significant time and commitment. If your chorus does not have the resources for, or…
…be extremely powerful in education and activism, including: Encouraging choirs to partner with local organizations, schools, communities of faith, etc. to rehearse, educate, dialogue and perform this commission together. GALA…
…life-changing process. So is coming out gay/lesbian/bisexual. There is some overlap of experience, early in the process – coming out to family, to friends, striving for self-acceptance, figuring out how…
…greet) – TransFusion Cabaret – Composer Fair with the America Composer’s Forum (your chance to mingle with composers, check out scores, and chat about commissions) – Key of T –…
Now celebrating its 42nd year, Twin Cities Gay Men’s Chorus (TCGMC) is a non-profit 501(c)(3) volunteer community chorus whose mission is Gay Men Building Community Through Music. Twin Cities Gay Men’s Chorus…
…life of the tri-state area. We seek to build bridges both within the LGBTQIA+ community, the music community, and with the community at large. Our programming blends challenging contemporary music,…
…commission honors the life and work of openly gay Quaker, African American civil rights activist Bayard Rustin, who mentored Dr. Martin Luther King Jr. The 55-minute work is composed for…
…pieces that fit criteria for each category. We will compete in the male choir competitions, the sacred music competition and the American Spiritual competition. I have chosen arrangements of Spirituals…
…inherent in being an openly gay organization and, as such, representatives of the LGBTQ+ community. In addition to our concerts we represent the LGBTQ+ community through partnerships with other gay…
…This works. Individuals are not being asked to represent the entirety of marginalized experiences. This is key to developing culturally equitable communities and authentic arts programming. The communities at large…